Saturday, December 23, 2017
Saturday, December 16, 2017
MIAMI REPORT
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| Pulp Party at INK Miami |
It was wonderful
to be at INK Miami at the Dorchester on Collins Avenue, Miami Beach! And with the
glaring exception of rain-by-the-bucket on Saturday morning, we had one
beautiful Florida day after another.
In our favorite Room 156 we
arranged several concentrated overviews. These small exhibitions began with
American Mural Studies by MORDI GASSNER, AXEL HORN, DOROTHY BROWDY KUSHNER, BEN
SHAHN, and with an enormous proposal for the St. Louis Post Office, The Miner’s
Life by HUGH MESIBOV.
Work by MESIBOV will also
figured in an installation of paintings, drawings, and prints, all relating to
The Wartime Shipyard project. This body of surrealist material was produced
from 1942 to 1945 while MESIBOV was employed at Cramp & Sons Shipyard in
Philadelphia. Dating to 1830 Cramp’s was shut down after World War One but
re-activated to build ships for the Second World War. It closed again in 1945.
A group of etchings and
lithographs by ISABEL BISHOP, BERNARDA BRYSON SHAHN, REGINALD MARSH, LYND WARD,
related to New York City’s Union Square; American Master Prints and Drawings
featured work by PEGGY BACON, WILL BARNET, WILLIAM BAZIOTES, ANNE RYAN, LOUIS
SCHANKER and KARL SCHRAG; and there was an Atelier 17 group with, of course,
STANLEY WILLIAM HAYTER, as well as SUE FULLER, FANNIE HILLSMITH, and KETT.
It’s great to go and it’s
great to come home. Everything is now safely back at our Mana Jersey City digs.
InkMiami, collectprints, Inkmiamartfair
Monday, November 20, 2017
The Calligraphy of ANNA PINTO
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30 Years of Snow: The Calligraphy of Anna Pinto
is on view in the Upper Gallery of the Hoboken Historical Museum, 1301 Hudson
Street, through December 31, 2017. The exhibition features holiday cards made
by Pinto for family and close friends. They are mostly three-part creations:
often a calligraphic interpretation of the word ‘snow’ (or a stencil or another
mysterious method), an image evoking snow (sometimes combined with the word
itself), and a few lines of text, often a haiku or poetry. The authors
include
Thoreau, Maya Angelou,
and Wendy Wasserstein, and stretch back to
the eighteenth century. The images are equally wide ranging and this year for the
first time there is a photograph by the artist herself.
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| Anna Pinto |
Amazingly labor intensive, these cards were
produced in good years and troubled years such as 2012 after Hurricane Sandy
strongly impacted Pinto, her family, and her neighbors.
Shown at the Museum in chronological order, the
cards are accompanied by preparatory materials. There is the stencil used to
make the word ‘snow’ and calligraphy that was later reproduced, as well as
notes that explain the processes used in making the final versions. In one of my
favorites the letters of ‘snow’ were written in small dashes that look a little
like the holes on early computer punch cards – the artistic masquerading as the
mechanical.
The show is mounted in vitrines that allow the
viewer to stand within inches of the fine detail work. It’s an amazingly
attractive and user-friendly installation and fits the space beautifully.
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| 30 Years of Snow: The Calligraphy of Anna Pinto |
On view on the first floor is World War I
Centennial, 1917-2017, Heaven, Hell or Hoboken. The city was a ‘main point of
embarkation’ for the US Expeditionary Forces headed for Europe. The exhibition
explores the changes that the military brought as well as the experiences of
one soldier, Hoboken-native Private First Class Peter G. Spinetto. His letters
home, his uniform, and even his gas mask, are on view.
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| The gas mask with its case and a photograph of Private Spinetto. |
There is also a wire chair with a piece of stone
from the bridge that crossed the River Marne at Chateau Thierry. That bridge
was destroyed on June 1, 1918, to prevent the German Army from crossing it. It
was the beginning of the American forces taking an active part in the war and
is considered a major turning point as the French and Americans held off the
German advance less than fifty miles from Paris.
The Museum itself is housed in the Bethlehem
Steel machine shop building. The oldest section dates to 1890 and was
constructed by the W & A Fletcher Company. It was enlarged in 1906 and
again in 1944 and was in use until 1984. This is, well was, ‘On the Waterfront’
country. Hoboken is thriving and fashionable and charming. Shouldn’t need to add,
but I will, that the Frank Sinatra tribute lives on at the Museum.
Link to Pinto’s page at the Gallery site:
http://www.susantellergallery.com/cgi/STG_art.pl?artist=pinto_a
#annapinto #30yearsofsnow #snow #hoboken
#hobokenhistoricalmuseum #worldwar1 #ExpeditionaryForce #Spinetto #marne
#ChateauThierry #bethlehemsteel #onthewaterfront #sinatra
annapinto, 30yearsofsnow, snow, Hoboken, hobokenhistoricalmuseum,
worldwar1, ExpeditionaryForce, Spinetto, marne, ChateauThierry, bethlehemsteel,
onthewaterfront, Sinatra,
Saturday, November 18, 2017
More on the New York Print Fair
This is a shot
made at the Print Fair on October 26, 2017, shortly after I presented the IFPDA Book Award to Antony
Griffiths for The Print Before Photography, his groundbreaking tome that has
hit the town by storm. He probably doesn’t remember this, but I was also the presenter
of his IFPDA Achievement Award in, I think, 2007.
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| At the NY Print Fair, Stephen Coppel, ST, Antony Griffiths, Hugo Chapman. Photo by Sari Goodfriend. |
Those are
Keepers of the British Museum with me: From left to right is Stephen Coppel,
Assistant Keeper Modern Prints and Drawings After 1880, ST, Antony Griffths,
former Keeper of Prints and Drawings, and Hugo Chapman, Keeper of Prints and
Drawings. Coppel is the curator of the hugely successful 2008 “American Scene”
show that featured JOSEF ALBERS, PEGGY BACON, DOROTHY DEHNER, HUGO GELLERT,
BLANCHE GRAMBS, STANLEY WILLIAM HAYTER, RIVA HELFOND, CHARLES KELLER, FRANZ
KLINE, LOUIS LOZOWICK, CLAIRE MAHL MOORE, ANNE RYAN, HARRY STERNBERG, GRACE
MARTIN TAYLOR, and of course HUGH MESIBOV. At the time Hugh, one of only very few
living artists in the show, did get to visit to see his color carborundum, Europa,
on view.
IFPDA,
IFPDABookAward, AntonyGriffiths, IPFDAPrints, Collectprints, BritishMuseum,
StephenCoppel, HugoChapman, AmericanScene,
JOSEFALBERS PEGGYBACON, DOROTHYDEHNER, STANLEYWILLIAMHAYTER, FRANZKLINE,
LOUISLOZOWICK, ANNERYAN, HARRYSTERNBERG, HUGHMESIBOV SARIGOODFRIEND
Saturday, November 11, 2017
ALLENTOWN ART MUSEUM, November 11, 2017
Thought that
this Harry Sternberg lithograph from 1937, Open Hearth, would be perfect to
take to the Allentown Art Museum’s Cocktails & Collecting fundraiser today
and there it is on the wall right across from our booth! Thank you.
The event opens
this evening at 5PM and goes to 9PM. Ticket price is based on entrance time.
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| Harry Sternberg, Open Hearth, 1937, lithograph |
Allentown, AllentownArtMuseum,
HarrySternberg, fundraiser, cocktails&collecting
Monday, October 30, 2017
NY FINE ART PRINT FAIR Review, 2017
The New
York Print Fair was held at the River Pavilion Room of the Javits Center for
the first time this year. It was a beautiful setting – open, spacious, and
bright.
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| Susan Teller Gallery, Booth 508, NY Print Fair, 2017 |
We featured prints and drawings by American
Masters Peggy Bacon, Will Barnet, William Baziotes, Edmond Casarella, Howard
Daum, Michael J. Gallagher, Peter Grippe, Dorothy Browdy Kushner, Angelo Pinto,
Anne Ryan, Louis Schanker, Karl Schrag, and Ansei Uchima.
An entire wall was dedicated to the work of Hugh
Mesibov (1916-12016) who died last year. The Estate released extremely scarce
WPA-era drypoints and carborundums, works from the Wartime Shipyard series of
the 1940s, and modernist serigraphs from the 1950s.
Another wall was devoted to New York's Union
Square, with etchings and lithographs by Clifford Addams, Isabel Bishop,
Bernard Bryson Shahn, Reginald Marsh, Betty Waldo Parish, Saul Raskin, and Lynd
Ward.
IFPDAprintfair, collectprints, printfair,
Javitscenter, PeggyBacon, WillBarnet, WilliamBaziotes, EdmondCasarella, HowardDaum,
PeterGrippe, AngeloPinto, AnneRyan, LouisSchanker, KarlSchrag, AnseiUchima,
HughMesibov, UnionSquare, CliffordAddams, IsabelBishop, BernardBrysonShahn,
ReginaldMarsh, BettyWaldoParish, SaulRaskin, LyndWard
Sunday, October 22, 2017
NEW YORK FINE ART PRINT FAIR opens this week!
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New York Print Fair is at the Javits Center this
year. We're in Booth 508, River Pavilion, 11th Avenue at 35th Street.
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NEW
YORK FINE ART PRINT FAIR
SUSAN
TELLER GALLERY, BOOTH 508
Thursday, October 26 Noon to 8 PM
Friday, October 27 Noon to 8 PM
Saturday, October 28 Noon to 8 PM
Sunday, October 29 Noon to 6 PM
We will feature prints and drawings by American
Masters Peggy Bacon, Will Barnet, William Baziotes, Edmond Casarella, Howard
Daum, Michael J. Gallagher, Peter Grippe, Dorothy Browdy Kushner, Angelo Pinto,
Anne Ryan, Louis Schanker, Karl Schrag, and Ansei Uchima.
An entire wall will be dedicated to the work of
Hugh Mesibov who died last year. The Estate has released extremely scarce
WPA-era drypoints and carborundums, works from the Wartime Shipyard series of
the 1940s, and modernist serigraphs from the 1950s.
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Reginald Marsh, Union Square, 1933
Another wall be devoted to New York's Union
Square, with etchings and lithographs by Clifford Addams, Isabel Bishop,
Bernard Bryson Shahn, Reginald Marsh, Betty Waldo Parish, Saul Raskin, and Lynd
Ward.
We still have a few Day Passes so if
you would like to attend contact us.
#CollectPrints
#HelloHudsonYards
@ifpda
@itsartreport
@ifpdaprintfair
SUSAN TELLER GALLERY
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