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| Michael J. Gallagher, Sunday Evening, 1937 |
Sunday, December 6, 2015
National Miners' Day
Turns out today was not only the last day of INK Miami, but also National Miners' Day.
Saturday, December 5, 2015
INK Miami Art Fair, 2015
--> Sunday, December 6th is the last day!
Room 156 at the Suites of Dorchester, 1850 Collins Avenue at 19th Street.
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| Howard Daum, Combat, 1947 |
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| INK Miami Ballloon |
Thursday, November 19, 2015
LYND WARD Exhibition
Illustrated
by LYND WARD
An
exhibition of books, jackets, and magazines, conceived by and/or illustrated by Ward, from the collection of
Robert Dance.
Now
on view at The Grolier Club, 47 East 60th Street, NYC.
Below
is a drawing for the dust jacket of Hunky Johnny, 1945, from the Estate of the Artist.
Tuesday, November 17, 2015
PARIS, November, 2015
Saturday, November 7, 2015
New York PRINT FAIR
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Saturday, November 7 (Noon to 8) and Sunday, November 8 (Noon to 6.)
This year we will
celebrate the 80th Anniversary of the signing of the Works Progress
Administration (WPA) into law in 1935 as well as the founding of the New York
Atelier 17 in 1940. We hope to see you at the Park Avenue Armory between 66th
and 67th Streets. Booth 116 -- that's the north-east corner of the room -- go
to the far left aisle and walk towards the back, to the Lexington Avenue side
of the building.
We were in a bit of a rush setting up, and I still haven't shot the whole booth, but this is a view of the East Wall (Lexington Avenue Side) showing, at the left, the two states and final version of the Howard Daum's Combat, 1947. It is a perfect storm of Guernica tribute, Hans Hofmann inspiration, Indian Space composition, and Atelier 17 technique, combined with Daum's relationship with Stanley William Hayter, Picasso's friend and printer.
Saturday, October 24, 2015
ART FOR EVERY HOME
-
This week I received the brand-new publication
Art for Every Home, Associated American Artists, 1934-2000. Hats off to
Elizabeth G. Seaton, Jane Myers, and Gail Windisch, who stuck with this project
and saw it to completion. Special congratulations to Windisch. She catalogued
the nearly 3000 AAA editions.
Until now the world has had only the list compiled by Meg Dunwoody Hausberg in, well, after the Selectric typewriter but years and years before the personal computer. That precious document has saved me many times. But now, NOW the book has a complete checklist of the AAA prints as well as instructions for downloading the FREE complete catalogue. The book is beautifully designed with tons of illustrations including two shots of Meg’s and my ol’ boss Sylvan Cole.
Until now the world has had only the list compiled by Meg Dunwoody Hausberg in, well, after the Selectric typewriter but years and years before the personal computer. That precious document has saved me many times. But now, NOW the book has a complete checklist of the AAA prints as well as instructions for downloading the FREE complete catalogue. The book is beautifully designed with tons of illustrations including two shots of Meg’s and my ol’ boss Sylvan Cole.
Eventually there will be lots more about
this project, but for now let’s just celebrate and say an enormous thank you to
Liz, Jane, and especially Gail who worked on it the longest and initiated the
catalogue. It’s a HUGE job well done.
The related exhibition is currently on view at
the Beach Museum of Art, Kansas State University, through January 31, 2016 –
still kicking myself for not going to that reception. It will be in NYC in the
spring, at the Grey Art Gallery of New York University, from April 19 through
July 9, 2016.
#ArtforEveryHome, #AssociatedAmericanArtists,
#AAA, #ElizabethSeaton, #JaneMyers, #GailWindisch, #MegDunwoodyHausberg, #MargaretDunwoodyHausberg
#SylvanCole.
Saturday, October 10, 2015
BLACK MOUNTAIN
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In the summer of 1948 Peter Grippe taught sculpture there; in addition to Albers his colleagues were Willem de Kooning, Buckminster Fuller, Merce Cunningham, and Beaumont Newhall.
Leap Before You Look: Black Mountain College,
1933-1957, runs from October 10 through January 24, 2016, at the Institute of
Contemporary Art, Boston.
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| Josef Albers, Prefatio, 1942 |
Of course, Josef Albers was a key figure; he taught
there from 1933 to 1949.
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| Fannie Hillsmith, The House, 1946 |
Fannie Hillsmith (1911-2007) taught at Black Mountain
in 1945 at the invitation of Albers. In 1996 she and I travelled together to
Asheville, North Carolina, when their archives honored her with a one-woman
show. We visited the college grounds and even though it had been turned into a
summer camp she could still see traces of the original layout.
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| Peter Grippe, Death of the Heros, 1952 |
In the summer of 1948 Peter Grippe taught sculpture there; in addition to Albers his colleagues were Willem de Kooning, Buckminster Fuller, Merce Cunningham, and Beaumont Newhall.
Link to Gallery site:
http://www.susantellergallery.com/cgi/STG_art.pl?artist=btmt
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